39. Mouth Expression Research | 2DAnimation101

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2D Animation With No Drawing Skills in After Effects

Section 1. Introduction to the course

01. Who Is Better Short Film (3:03)
02. Getting the Project Files
03. Introduction (1:31)
04. Two Secrets To Do Awesome Animations (2:26)
05. Example of Simple and Interesting (2:45)
06. Interesting Character in a Good Story (2:11)
07. Analyzing Who Is Better (2:53)
08. Review of Getting Started PDF

Section 2. Character Emotion

09. Emotional Expression And Body Language (3:23)
10. Character Relationships (2:23)
11. Relationship Examples (3:31)
12. Review of Character Emotion PDF

Section 3. Character Design

13. Designing Characters With Geometric Shapes (2:58)
14. Body Language From Geometric Shapes (4:09)
15. Expressing With The Mouth (2:58)
16. Working With References (2:07)
17. Designing Simple Characters (4:25)
18. Klay Tutorials
19. Review of Character Design PDF

Section 4. Planning a Project

20. Planning Your Animation With a Storyboard (1:38)
21. Hiring Voice Talent (2:47)
22. Preparing for the Animatic (3:47)
23. Editing The Animatic (4:27)
24. Finished Animatic for Who Is Better (3:50)
25. Review of Planning a Project PDF

Section 5. Introduction to Rigging Tutorials

26. Introduction to Rigging Tutorials (2:29)
27. Getting Adobe After Effects (For those who don't have it yet) (4:42)
28. New Composition in After Effects (For absolute Beginners) (3:47)
29. Creating the Body for Simple (The circle) (4:07)
30. Creating Arms and Legs for Simple (6:56)

Section 6. Rigging The Character

31. Getting the exact Duik Plug used in the tutorials
32. Automation Using Expressions (6:29)
33. Setting Forward Kinematics (6:35)
34. Setting Inverse Kinematics (2:54)
35. Rigging the Right Arm and Legs (7:29)

Section 7. Prepearing Controllers

36. Creating and Aligning Controllers (3:50)
37. Connecting the Body with Controllers (3:35)
38. Cleaning the Timeline (5:19)

Section 8. Working with the Mouth

39. Mouth Expression Research (4:24)
40. Drawing The Mouth Variations (7:37)
41. Prepare Mouth for Emotional Lip-Sync (4:56)
42. Animating the First Two Mouths for the Lip Sync (6:33)
43. Animating the rest of the Mouths (5:39)
44. Preparing the Mouth with Expression Controls (5:10)
45. Head Turn Effect (9:38)
46. Activating the Flip Switch to rotate the Mouth (2:18)

Section 9. Emotional Lip Sync

47. Emotional Auto Lip-Sync using Expressions (8:53)
48. Adding Dialogue to test Auto Lip Sync (6:28)
49. Wiggly Body for Maniac Effects (10:32)
50. Simple Shading (5:56)

Section 10. Technical Tips to Know Before Animating

51. Introduction to Animation Tutorials (1:19)
52. Getting EASE AND WIZZ
53. Tips on Changing the Elbow Knee Angles Part 1 (5:10)
54. Tips on Changing the Elbow Knee Angles Part 2 (6:29)
55. Refining the Lip Sync (4:43)
56. Basic Frame Units in Animations at 24 fps (3:10)
57. Basic Frame Units for Reaction Movements (4:28)
58. Applying the 5 to 10 frame rule (2:27)
59. Basic Frame Units for Aggressive Movements (5:05)

Section 11. Animation Tutorials

60. Preparing the Timeline for the Posing (4:54)
61. Adding two more markers (5:48)
62. Posing the 1st Keyframe Like Me (6:30)
63. Posing the 2nd Keyframe Body, Hand and Mouth (4:56)
64. Posing the 2nd Keyframe Left Hand and Hips (2:49)
65. Posing the 2nd Keyframe Correcting the Left Leg (2:00)
66. Posing the 3rd Keyframe (5:06)
67. Adding Markers for Anticipation and Aftermath (5:19)
68. Animating the Anticipation of the 1st Pose (4:20)
69. Animating the Aftermath of the 1st Pose (2:41)
70. Applying Ease and Wizz (4:44)
71. Animating the Anticipation of the 2nd Pose (4:33)
72. Fixing the Left Leg (6:11)
73. Fixing the Right Arm (2:58)
74. Animating the Anticipation of the 3rd Pose (2:59)
75. Fixing the Right Hand Drop (4:46)
76. Fixing the Left Leg for Final Position (6:36)

Section 12. Wrapping Up The Course

77. Closing thoughts on Body Language Animation (3:44)
78. CHALLENGE Animating 3 seconds (3:23)
79. Prepare Composition for Rendering (3:19)
80. Rendering for YouTube in After Effects (2:59)

39. Mouth Expression Research

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